DR REBECCA LOUISE-CLARKE

UNCOVERING AND CELEBRATING WOMEN IN AUSTRALIAN BLUES

Lady Sings the Oz Blues, explores the vital but often overlooked contributions of Australian women musicians to the Blues genre. This project engages with archival materials from the Australian Performing Arts Collection (APAC), Melbourne Blues Appreciation Society (MBAS), Women in Blues Program (Victoria), State Library Victoria, University of Melbourne Library and the University of Melbourne Archives and Special Collections. It brings together oral histories, sound recordings, and historical documents to highlight the important ways that Blues women have shaped the Blues in Australia.

Oz Blues musicians have woven together international influences, their own cultural heritage, and the landscapes around them to create a distinctively Australian Blues sound. Welcome to a kaleidoscope of sights and sounds, rhythms, notes and words that together weave a story of the Oz Blues.

ABOUT ME -

Rebecca Louise-Clarke

As a grassroots arts events coordinator and an author, curator and academic, I have enjoyed fostering connections between diverse sectors of the community in creative partnerships. My projects have built strong creative communities, resulting in performances, exhibitions, lectures and publications including 2 books, several essays and audio narratives.

My long-time love-affair with the Blues has sent me all the way to places like Beale St Memphis, New Orleans, and Chicago. I’m thrilled to apply my research skills to the Blues - a genre so rich with complex histories, stories and communities that need to be documented and celebrated. This exploration is well overdue in the Australian historical and scholarly landscape.

Lady Sings the OZ BLUES

TEAM MEMBERS & SUPPORTERS

This exhibition has been created in accordance with the needs of its community, functions to preserve knowledge about the Blues genre, its culture and the lives of those people who have been a part of it.

We are honoured to have such a talented, fierce and inspiring network of musicians, creatives and supporters involved in this project.

35th Anniversary (MBAS) Melbourne Blues Appreciation Society Exhibition.

This year will be the 35th Anniversary of The MBAS ! MBAS has enjoyed a long history and still attracts hundreds of new members and audiences locally and internationally. This volunteer run not for-profit organisation was formed in 1990 by a group of music lovers who gathered each week at the Station Hotel in Prahran to hear musicians Dutch Tilders and the Blues Club. Dutch invited guest artists to perform with him and it was decided by the artists and music enthusiasts that a society or club was needed that would support the current and developing Blues artists of Melbourne. The MBAS is a not-for-profit organization. Activities and functions it presents include a Tuesday Night Feature Artist and Jam Night, Youth In Blues, Blues Performer of the Year Challenge, Victorian Tasmanian Blues Music Awards and a Women’N’Blues programme. Over the society’s journey, international bonds have been fostered, and MBAS has developed become known amongst communities foundational to the Blues genre. The MBAS has sent bands and solo artists to compete at the International Blues Challenge (IBC), a challenge that attracts over 400 acts from Blues Societies all over the world. All competing acts in the Blues Challenge (IBC), have each won a Challenge held by their local Blues Society. MBAS is amongst the most successful Blues Societies competing, proudly having their members make it to the Finals and achieving 2 winners, 2 runners up and 2 ‘best guitarists’ awards.

This international collaboration has earned Naarm/Melbourne a reputation for being one of the major Blues Music cities internationally. Their ongoing partnerships have included The Blues Foundation in Memphis USA which has endured for over 25 years. Emerging musicians who have honed their craft though MBAS’ weekly jam sessions which bring new and established artists together in Blues experimentation have gone on to compete and find success in international Blues competitions, a testament to the important ways that MBAS has nurtured young talent. This long history of MBAS has woven in it a rich tapestry of accomplishments, musical and intellectual rigor, friendship, community and tireless dedication. T.his exhibition honours their contributions to the Blues community.

Fiona Boyes

Fiona is an award-winning blues & roots guitarist, songwriter & vocalist.

She is the only Australian musician ever to be recognised in the American Blues Foundation (Memphis) ‘Blues Music Awards’, with 8 nominations, including 2019 ’Traditional Female Artist of the Year’.  Performances featuring guitars, vocals and unique cigarbox instruments. An international recording artist and touring musician, Fiona has been described as:

”...one of the world’s best fingerpicking blues guitarists...”  (The Guardian, Australia).

Fiona will be participating as musical advisor and musician/performer in this project.

Kerri Simpson

Australian Blues Musician

2024 Hall of Fame – Inductee, Blues Music Victoria.

“Patti Smith with a glass of scotch in one hand.”

- music critic Andrew Masterson describing Kerri Simpson

Few singers have so successfully traversed musical genres as Kerri Simpson. Dubbed as "Australia's own Blues diva" by Bruce Elder of the Sydney Morning Herald Simpson made herself a home in a myriad of genres.

In 2024 Simpson was inducted into Blues Music Victoria's Hall of Fame. Her many credits include co-writing and performing on the title track of Jeff Langs ' More Life" album, Rhythms magazines’ peoples choice album of the year. She wrote a haunting piece in tribute to Oz rock star, Chris Wilson for David Bridie's acclaimed 2023 spoken word album "It's been a while since our last correspondence" .

Simpson recorded and toured with Stranger Cole and The Ska Vendors in 2022.  As well as continuing to record many songs with Belmar Records she released "Tuskegee Airman" a single from Belmars Top 10 Vol 7 featuring Simpson alongside Kelly Auty. 

In late 2018, Simpson together with Allison Ferrier and Anthony ‘Shorty’ Shortte – formed Opelousas.  Opelousas released their second album "Opelousafried" which, like their debut 2019 release  "Opelousified", won Music Victoria's "Best Blues Work of the year". Opelousafried was also voted 8th in Rythmns peoples choice albums of 2024, and 3PBS fm and 3RRR fm's album of the week.  Simpson’s New Orleans infused vocal s have been described as “vodou influenced” .  Her works have traversed alternative country, R&B, Funk and Disco. She has collaborated with Indigenous songwriter Glenn Skuthorpe on his Small Change and Wild winds of Dooga albums.

Kerri has had the pleasure of supporting big Blues stars, Dr John and Keb Mo on their national tour. As a result of that release and her previous work in New Orleans, Kerri was invited to perform with Norman and Ricki Caesar, Jason and Aaron Neville Jnr at the 1999 Jazz and Heritage Festival, making Kerri one of the few Australians to appear at the prestigious festival, and the first Australian female to perform there.

In the 90s, her original rock albums inspired author and music critic Andrew Masterson to compare her to “Patti Smith with a glass of scotch in one hand”. She was featured alongside Beth Orton and Fiona Apple on Fritz Radio in Berlin when her The Arousing CD was their number one. Her dance records Higher and Kiss Her Goodbye saw her compared to Patti la Belle and Chaka Khan. They became popular on the London underground dance scene and she toured Australia supporting Kylie Minogue.

As a long-time advocate of Oz Blues, Kerri has generously offered her time to support Lady Sings the Oz Blues as an advisor, musician and as a cultural heritage GLAM (GALLERIES, LIBRARIES AND MUSEUMS) practitioner.

Andrea Marr

Andrea Marr is a multi-award winning Blues vocalist and Ambassador for Victoria’s Women in Blues . Her work has been described as…

“This has all the heart and soul of classic soul, funky enough to make James Brown sit up and take notice … in a world full of people trying to sound like their favourite star, Andrea Marr is a bona fide original – 100% The Real Deal” – Bill Wilson US review

“As with all the the great soul that came out of Stax and Atlantic in that halcyon bygone age and what Daptone Records currently do better than anyone else, miss Andrea Marr combines passion, energy, and S.O.U.L with melodies and hooks to die for” – Rocking Magpie UK Review

“Pure nostalgia to the era of Stax and Motown comes back to life on this album. Images of Aretha Franklin or Betty Wright are burned back on my retina when listening to the album. Andrea Marr is an 18 carat soul diamond” – Rootsville Belgium

“The first thing you are going to notice when you listen to Andrea Marr is that hugely-soulful voice. She has a passion for the music of Motown, Stax, Etta, Aretha, Sharon Jones, and JB, and she’s got the chops to pull it off. Andrea and The Hitmen get it tight, right, and outta sight. Fans, since the untimely passing of Sharon Jones, someone has to step up and carry the soul torch forward. Why not Andrea Marr? She’s sho’ nuff a “Natural!”.” – Don and Sheryl’s Blues Blog USA.

Andrea will be Advisor and Musician on the project to share her extensive knowledge on the Australian Blues.

Brooke Taylor, Australian Musician.

Brooke Taylor

Melbourne's own musical maverick, is a powerhouse singer, songwriter, and guitar-thumper.

Brooke has the power and panache, the style and the sass. Can melt you or maintain you with the way she inhabits tunes. A writer and performer for the ages." - Tim Rogers

​"[There's Magic in Mistakes] is a magnificent collection of songs, singing and playing. Swaggering, oozing attitude and smouldering with intensity. Oh yeah, and it rocks. This album is a complete blast." - Stuart Coupe

Navigating the waves of rock, blues, country, soul, and pop, Brooke has ignited stages and rocked festivals nationwide. She's been the sonic firestorm at events like the St Kilda Music Festival, Leaps and Bounds, Tamworth Country Music Festival, Nightjar Festival, and The Taste Of Tassie, to name a few.

​Brooke's musical journey has been a wild ascent, marked by unforgettable performances and thrilling accolades. In 2019, she proved her mettle as a Lyrebird Gift finalist. She's shared the spotlight with legends, opening for titans like the Pierce Brothers (AUS), Luka Bloom (IRE), Joe Pug (US), Renee Geyer (AUS), Tex Perkins (AUS), and Tim Rogers (AUS). In 2021, Brooke Taylor took her credentials to the next level, becoming the newest, electrifying member of Mick Thomas' (Weddings, Parties, Anything) Roving Commission.

​Brooke writes from the gut. Her music is the raw, untamed pulse of the human experience, delivered with unapologetic power and searing emotion. Her songs are built on a foundation of relentless rhythm guitar, vocals that blaze like wildfire, and lyrics that speak to the very soul.

​Backed by her incredible band ‘The Poison Spitting Gin Queens,’ Brooke’s debut album, "It's The Little Things", exploded onto the scene, smashing its way to #2 on the Australian Independent Album Charts in July 2020.

​Her latest album, "There's Magic in Mistakes", released in May 2024, debuted at #8 on the ARIA Country Charts and #4 on the Australian Independent Album Charts.

​​​​​Brooke will be participating in the project as a musician and her music and storytelling will feature in performances to be displayed in the Online Exhibition.

Joanna Connor

Chicago Blues Woman

Joanna Connor an American Chicago-based blues singer, songwriter and guitarist.

Award winning Blues Woman, Connor was born in Brooklyn of New York City, and raised in Worcester, Massachusetts. After moving to Chicago in 1984, she was drawn to the Chicago blues scene, eventually sharing the stage with James Cotton, Junior Wells, Buddy Guy and A.C. Reed.

Playing guitar since she was a child, she quickly learned the Blues style. By 1987, Connor had started her own band, and recorded her first album for Blind Pig Records in 1989. Since then she has signed a recording contract with M.C. Records. In 2021, Connor released the No. 1 blues album 4801 South Indiana Avenue, via Joe Bonamassa's Keeping the Blues Alive Records. Connor regularly performs live at Kingston Mines, a Chicago based Blues club. She also performs frequently on film and television. In 2023, Connor was nominated for the Blues Music Award in the instrumentalist category, for guitar.

Joanna is keen to be involved as an advisor on Lady Sings the Oz Blues, and to collaborate on the online exhibition as oral history interviewee and musical collaborator.

Sampa the Great, Golden Plains Festival. Photographer: Anna Bandanna

Anna C Madden (Anna Bandanna Photography) - Naarm/Melbourne Live Music Photographer.

Anna is an award winning photographer who possesses a unique talent for capturing live music in her striking images. Anna has a passion for supporting women performers.

Anna describes her passion for photography …

“I discovered a love for photography while living overseas for 3 years. I was based in Dublin and travelled extensively in Europe undertaking travel photography and street photography. When I returned to Australia I started taking my camera to gigs. I developed an appreciation for the visual aspect of live music and learned a lot about photography along the way. Before Covid I had my work regularly published in Beat Magazine and was an official photographer for The Melbourne International Jazz Festival. Since covid I have returned to street photography and began to develop a documentary practice. I have been documenting a group of female blacksmiths for the past few years. I was a finalist in the 2017 Maggie Diaz Prize and the 2020 Into the Mist photography competition. I was also selected as Staff Pick in the CCP Salon exhibition in 2023- Anna C Madden.

Anna will be working on this project as a photographer, documenting live Blues performances. Her work will contribute images to this Online Exhibition and to the long-term outcome: the Manuscript of Photography, Art and EssayBook, Lady Sings the Oz Blues.

Charlie Barker, Australian Blues Musician

Charlie Barker is vocalist forNaarm/Melbourne based Swampy Texan Billy Blues band Shake. A dynamic 4 piece, Shake comprises of:

Barker is offering her talents as musician on this project.

Endorsements/Words of Support for Lady Sings the Oz Blues

Andrea Marr

Ambassador for Women in Blues, Blues Music Victoria

www.andreamarr.com

“I am in full support of Dr Rebecca Louise-Clarke’s application for Lady Sings the Oz Blues. I am the ambassador for Women in Blues for Blues Music Victoria and in partnership with the US National Women In Blues inc. I also run my own music school Andrea Marr Music School, helping my acts release original music and I am the vocal coach for Australian Songwriters Conference to help women in blues with touring opportunities and create an equal playing field. I have been a singer songwriter and performer since 1997, I have released 10 albums, won many awards and charted at number one on the US and Australian blues charts many times. Yet the festival and touring opportunities are not as forthcoming as they would be to male artists in our genre and there is a disparity in pay grade for between male and female musicians. We desperately need funding for female artists here and in the US. I look forward to working with Rebecca to help her research the history of the Oz Blues and in promoting women Blues musicians.”

John Durr - President

Melbourne Blues Appreciation Society (MBAS)

‘The Melbourne Blues Appreciation Society (MBAS) is excited to partner with Rebecca .

In this, the 35th year of the existence of the MBAS, it would greatly assist the profile of the organisation to hold an exhibit, displaying the history of the Club. To do so, in partnership with someone of the impressive experience and abilities of Dr Louise- Clarke, would greatly enhance the profile of MBAS.

The exhibition will present posters, fliers etc that demonstrate the significant role that MBAS has played in the Melbourne music scene. there will also be an A/V component consisting of interviews with past office bearers of the Club, plus some of the leading Blues musicians of Melbourne.

Kerri Simpson, Australian Blues Musician

2024 Hall of Fame – Inductee

Blues Music Victoria

I am proud to support Dr Rebecca Louise-Clarke’s application for her project ‘Lady Sings the Oz Blues’ and would be happy to support and be involved in Rebecca’s project. Having been involved in the blues scene since the early 80's I would relish the opportunity to assist as it remains largely undocumented. As a section of the industry that has been a stalwart of the live scene for decades, I think it crucial that this rectified for historical purposes at the very least. Her aim to promote local established and emerging Blues women musicians and foster a community that fosters mentorships for younger musicians would achieve impressive long-lasting impacts that will greatly benefit the community. With Rebecca’s extensive museum and archival experience, proven ability to bring hidden histories to light, strong track record in digital storytelling, experience managing arts projects and community engagement, and her recognised academic and professional contributions, I believe she is a strong candidate for this grant. As a section of the industry that has been a stalwart of the live scene for decades, I think it crucial that this rectified for historical purposes at the very least. Rebecca’s project takes a unique and lively approach by applying her archival research on the history of ‘Oz Blues’ to a contemporary setting, bringing both the old and current day aspects of the Blues genre into dialogue. “Lady Sings the Oz Blues” will celebrate the vibrant history of Naarm/Melbourne’s blues scene by combining historical materials with contemporary performances and digital storytelling. By building an archive and curating digital exhibitions, this project will ensure that the legacy of the Oz Blues is preserved for future generations.”

Jen Jewel Brown Author/Editor/Music Journalist. Former Mushroom Records/A&R manager, Signed Yothu Yindi, Editor of Lisa Bellear’s 'Aboriginal Country', Author of 'Skyhooks Million Dollar Riff' and 'Michael, my brother, lost boy of INXS'.

I have known Rebecca Louise-Clarke for 20 years and hold the greatest respect for her creativity, her curatorial nous and her reliable organisational skills. She has shown real commitment to empowering and celebrating the talents of Australian female and LGBTIQI+ creatives, on display when she founded, hosted and ran a regular poetry reading called “Kitty Sessions” (2005 – 2010), focusing on women and queer performers in the early part of the 21st century, in High Street Thornbury. This successful series of nights exposed and boosted a great hidden vein of female and disadvantaged literary and musical performers' skills while nurturing community with great warmth. Since then, Rebecca has achieved many successful projects with outcomes including books, essays, exhibitions and digital artworks. She has brought her work to international audiences in the form of her involvement in artist residencies, her presentations, lectures and online exhibitions. Rebecca Louise-Clarke is a rare bird: an ideas person and leader in the world of under-represented creatives down under. I wholeheartedly support her project; ‘Lady Sings the Oz Blues’ which I am confident will achieve all the outcomes she has envisioned and beyond. Her ability to liaise with stakeholders from all walks of life, her receptivity to experimental ideas, and her courageous can-do attitude makes her an exceptional project leader. I have no doubt that this project will spark much creativity, inventiveness and will create long lasting impacts and connections in the blues community both within Melbourne and beyond.”

Antonia Koratzopoulos

Presenter Services Coordinator of venue

Meat Market, Venue, North Melbourne.

“I’d like to express my support for Dr Rebecca Louise-Clarke's project, Lady Sings the Oz Blues which we are proud to host at our venue. This significant project holds promise and Rebecca has the capacity to successfully lead it. With her background as a curator, scholar, and researcher, she is well-equipped to bring this project to life. Her expertise in archiving, digital storytelling, and community-driven curation makes her uniquely positioned to document and celebrate the history of the Oz Blues through exhibitions and live music performance.”

DELSINKI, Australian Musician

Albums: And There Was Found and No Place For Them and City / Country (debuting at #3 in the ARIA Country Albums chart)

Executive producer/ participant of 'Keep the Circle Unbroken' and 'Sing a Song of Sixpence' touring shows.

“I am proud to support Dr Rebecca Louise-Clarke’s application for her project “Lady Sings the Oz Blues”. Rebecca’s proposed project is a highly original, exciting multi-faceted one, that engages both senior and young sectors of the community by bringing them into collaboration with one another. It promises real-world impacts that will benefit the Melbourne community by providing local Blues musicians with opportunities and by documenting the history of Oz Blues, Rebecca will help promote Australian Blues on an international scale.

This project proposes significant impacts including the documentation, display and celebration of the history of Blues in Naarm/Melbourne and Australia. Despite an ongoing interest in Blues as evidenced in ever-growing Blues themed festivals and gigs held in Naarm/Melbourne, this history of local Blues remains largely undocumented, so it is timely that Rebecca who is a passionate and visionary curator is initiating this project. With Rebecca’s extensive museum and archival experience, strong track record in digital storytelling, experience managing arts projects and community engagement, and her recognised academic and professional contributions, I believe she is a strong candidate for this grant. If she were granted this opportunity, I am confident that she would achieve impressive long-lasting impacts that will greatly benefit the community.”

Dr. Jay Daniel Thompson, Senior Lecturer

Professional Communication, School of Media and Communication

RMIT University

“Dr Rebecca Louise-Clarke is an outstanding emerging arts researcher and practitioner whose work spans academia and industry. Dr. Louise-Clarke has already published two academic monographs, both of which provide timely and clear-eyed studies of gender and womanhood in visual cultures. Both texts demonstrate intellectual rigour and a rich talent for archival research. Dr. Louise-Clarke has coupled her scholarly achievements with curatorial and research positions at Museums Victoria and Culture Victoria. That industry work has enabled Dr. Louise-Clarke to showcase her research interests in formats that are accessible to the broader public. For the above reasons, I heartily endorse Dr. Rebecca Louise-Clarke’s application for her project, “Lady Sings the Oz Blues” I anticipate that this work will have immense benefits for both the researcher and APAC’s archives and collections.”

Associate Professor Matthew Champion

School of Historical & Philosophical Studies, Faculty of Arts, The University of Melbourne

“This is a wonderful project with the potential to reshape our understanding of an important moment in Australian social and musical history.”

Commitment to Indigenous Research Values

As Curator of Lady Sings the Oz Blues, I strive to align with the research values articulated by the William Cooper Institute ethical guidelines (Monash University), particularly in the following ways:

1. Reducing disparity and disadvantage—by deepening the recognition of Indigenous contributions to Australian music and cultural heritage.

2. Supporting Indigenous rights, languages, and cultures—through respectful engagement with communities and archival materials.

3. Challenging racism and its impact—by addressing historical erasure and ensuring representation in academic and creative outputs.

4. Promoting equal opportunity and outcomes—by amplifying Indigenous voices within historical and contemporary discussions of the Blues.

I am presently in discussion with the following cultural advisors who have generously offered their time to share their wisdom with me throughout my research and exhibition narrative writing process. Please see my Advisors below.

Dr Kevin Shedlock - Victoria University of Wellington

Advisor in respectful treatment of Indigenous and Torres Strait Islander artifacts in digital environments and ways to employ technology with strong connections to tribal language, tribal relationships, and tribal protocols.

Ko Kevin Shedlock (nee Walker) toku ingoa

Ko te whare tapu o Ngapuhi raua ko Ngati Porou me ki Whakatohea te iwi

Ko Ngati Hau, Te Kapotai, Te Aitanga a Hauiti nga hapu

Mauri ora!!

Victoria University of Wellington

Te Whare Wānanga o te Ūpoko o te Ika a Māui

Faculty of Engineering & Computer Science

I am writing to express my support for Dr. Rebecca Louise-Clarke's project Lady Sings the Oz Blues, which explores the vital but often overlooked contribution of Indigenous Australian women musicians to the Blues genre. This innovative project addresses a significant gap in Australian music history by documenting and celebrating the pioneering work of artists like Georgia Lee, whose 1962 album Blues Down Under placed Australian Blues on the international stage. Despite the ongoing interest in Blues music in Australia, as evidenced by growing festival attendance and vibrant live music scenes, the history and contributions by Indigenous artists - remains largely undocumented.

Dr. Louise-Clarke is exceptionally well-positioned to lead this project. Her extensive background in museum curation, archival research, and digital storytelling, combined with her proven track record in bringing hidden histories to light, makes her uniquely qualified to undertake this important work. The impact of Lady Sings the Oz Blues extends beyond mere documenting creative art. By creating digital archives and exhibitions, this work will also preserve a vital aspect of Australian cultural heritage that is at risk of being lost and establish an avenue for the future emerging indigenous and women Blues musicians to grow.

I strongly believe that Dr. Louise-Clarke's project deserves support and look forward to the valuable insights and connections it will undoubtedly generate. The Redmond Barry Fellowship would provide crucial resources for this important research to move forward.

I am also available to serve as a sounding board to support the preservation of Indigenous knowledge throughout this project, offering guidance on cultural approaches to documenting, digitizing and sharing these important musical histories.”

Bulagaranda

(Mount Yarrowyck) Aboriginal Area

Photograph from:

https://www.visitnsw.com/destinations/country-nsw/tamworth-area/uralla

Roger Clarke (Wirogiree)

Cultural Awareness Advocate

Spiritual Advisor

Musician artist and storyteller

Uralla, NSW

Roger Clarke and I have been in discussion and I am honoured that he has warmly welcomed my presence as knowledge seeker and is happy to collaborate with me on Indigenous heritage knowledges and practices throughout my research process.

Yarra River

Photograph from:

https://www.friendsofyarraflatspark.org.au/two-places-to-see-the-beauty-of-the-yarra-river-2/

Maxine Briggs - The Koori Librarian, State Library Victoria

VICTORIAN INDIGENOUS RESEARCH CENTRE (VIRC)

Wominjeka Reconciliation Garden - Glen Iris

The Murnong First People’s Gathering Place - Glen Iris

Glenn Loughrey, Wiradjuri Artist, Writer & Speaker.

Blues Women Supporting Each Other

Blues Women Supporting Each Other